Ralph Earl Paints Early American Mothers & Children

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1788 Ralph Earl (1751-1801). Martha Tennent (Mrs David Rogers) and Daughter.

1790 Ralph Earl (1751-1801). Mary Floyd (Mrs. Benjamin Tallmadge) with Son Henry Floyd and Daughter Maria Jones.

1790 Ralph Earl (1751-1801). Abigail Starr (Mrs. William Taylor) and Son Daniel.

1791 Ralph Earl (1751-1801). Mrs. William Moseley and Son Charles.

1793 Ralph Earl (1751-1801). Sarah McCurdy (Mrs. Henry Channing) and Son Henry William

1796 Ralph Earl (1751-1801) Mrs Elijah Boardman and Son
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A Few 18th-Century American Women with Sheep & Lambs

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Well, as long as we are focusing on women and animals, we might as well look at a few of my other favorite outdoor subjects, sheep & lambs. The wooly creatures began appearing in Western religious paintings early. By the 17th century, lambs were showing up in non-religious portraits as well. These are a few of my favorites, including several early American paintings.

Anthonie Palamedesz. (Stevaerts, Stevens) (1601-1673) Child and Sheep, 1655

Sir Peter Lely (1618-1680) Lady Belasyse

Aelbert Cuyp (1620-1691) Girl with a Lamb

Elisabeth Sophie Cheron (1648-1711) Self Portrait

Sir Godfrey Kneller (1646-1743) Portrait of a Woman as St Agnes (Perhaps Catherine Voss)

James Francis Maubert (1666-1746) Portrait of Henrietta Duchess of Bolton

Colonial American 1730-1735 Gerardus Duyckinck (1695-1749) De Peyster Girl with Lamb

Colonial Americaqn Gerardus Duyckinck (1695-1749) Portrait Of Franks Children with Lamb 1735

Colonial American 1754 Joseph Blackburn (1700-1780) Mary Sylvester

Sir George Chalmers (1720-1791) Elizabeth and Mary Chichester

Colonial American? 1770 Cosmo Alexander (1724-1772) Girl with a Lamb
Colonial American John Durand (1731-1805) Mary Beekman
Josepf Wright Of Derby (1734-1797) Miss Frances Warren

Josepf Wright Of Derby (1734-1797) Miss Frances Warren

Colonial American 1756 John Singleton Copley 1738-1815 Ann Tyning (Mrs Thomas Smelt)

William Henesy (English 18th Century) Baptist Noel 4th Earl of Gainsborough and His Wife Elizabeth with their Children
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Paintings of 18th-Century American Women with Dogs & Cats

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Dogs and cats appear in portraits of 18th century American women, but I am not sure if these are emblems or symbols or copies of English prints, or are they actual pets?

Before the 1760s, most dogs appear in colonial American paintings with children. Pet dogs often were referred to as comfort dogs. Most other dogs depicted in 18th-century English and Anglo American paintings were sporting dogs.


1710 Justus Engelhardt Kuhn (fl 1707-1717). Eleanor Darnall 1704 - 1796.

1710s Justus Engelhardt Kuhn (fl 1707-1717) Young Girl

1715 Attributed to Charles Bridges (1670-1747). Child of Rev. Richard Chase (1692-1742) of London and Maryland, and his wife Margaret Frances Townley (d. 1741)

1728 New York Depeyster Limmer. Depeyster Twins: Eva & Catherina.

1730s Child of the Pierpont Family.

c. 1735 Charles Bridges (1670-1747). Anne Byrd.

1720s-30s Gerardus Duyckinck (1695-1746). Jacomina Winkler

1755 John Singleton Copley (1738-1815). The Gore Children.

1758 John Singleton Copley (1738-1815). Mary MacIntosh Royall and Elizabeth Royall.

1730s Gerardus Duyckinck (1695-1746). Lady Undressing for a Bath.

1730 John Simbert (1688-1751). Mrs Nathaniel Cunningham.

C 1750 John Wollaston (1710-1775) Magdalen Charlton (Mrs. Thomas Dongan).

c 1760 Benjamin West (1738-1820). Anne Allen (later Mrs. John Penn). John Penn (1729-1795) was the last governor of colonial Pennsylvania, serving from 1763-1771 & 1773-1776, & he was a grandson of William Penn. Portrait of the daughter of West's benefactor Chief Justice William Allen may have been painted as West was traveling from Pennsylvania to Italy and then to England.

1760 English artist James McArdell (1728-1965) after Joshua Reynolds Joshua Reynolds (English Rococo Era Painter, 1723-1792).

1763 John Singleton Copley (1738-1815) Mrs Jerathmael Bowers.

1773 Gilbert Stuart (1755-1828). Christian Stelle Banister & Son John

1787 Henry Benbridge (1743-1812). Hartley Family.

1785-90 Beardsley Limner Possibly Sarah Bushnell Perkins (1771 - 1831). Elizabeth Davis (Mrs Hezekiah Beardsley).

1789 - 1791 Payne Limner. Martha Payne.

During the 17th century in colonial America, life for a dog could prove tenative, especially during the Salem witch trials. From June to September in 1692, 156 people were accused; fourteen women, five men and two dogs were hanged--children accused the dogs of giving them the "evil eye."

However, soon the expanding love of humans for canines was endorsed by 18th philosophers, playwrights, and poets. Voltaire wrote, "the best thing about man is the dog." Alexander Pope declared that "histories are more full of examples of fidelity of dogs than of friends." And Robert Burns wrote that "the dog puts the Christian to shame." In the colonies in 1738, Benjamin Franklin wrote, "There are three faithful friends—an old wife, an old dog, and ready money."

In Williamsburg and its environs, the Virginia Gazette often carried advertisements for lost dogs. In 1751, Alexander Finnie, who ran the Raleigh Tavern, offered to pay "Half a Pistole" to anyone who returned his "spaniel BITCH, with white and brown spots." In 1752 Williamsburg, a pet dog Ball, a reddish spaniel was lost, and his owner James Spiers was willing to part with a dollar to get him back. In 1774, Glasgow, a brown-and-white bulldog with an iron collar, had gone missing and his owner offered 20 shillings for his return. In the same paper in 1777, a pet black Pomeranian called Spado was stolen and a $20 reward was offered.

In the only connection between dogs and women that I have found yet---in 1775, Williamsburg's Virginia Gazette printed

"On the Death of a Lady's Dog"

Thou, happy creature, art secure
From all the troubles we endure.
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Squirrels in Paintings of 18th-Century American Women

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1757 Joseph Badger (1708-1765). Rebecca Orne (later Mrs. Joseph Cabot)

1765 John Singleton Copley (1738-1815). Frances Deering Wentworth (Mrs. Theodore Atkinson, Jr.)

1760s William Williams (1727-1791). Deborah Hall. Detail

1770 Attributed to Cosmo Alexander (1724-1772).

1790 Denison Limner Probably Joseph Steward (1753-1822). Miss Denison of Stonington, Connecticut possibly Matilda.

1798 Ralph Earl(1751-1801). Elizabeth Eliot (Mrs. Gershom Burr)

Besides being obsessed with squirrels attacking my birdfeeders at the moment, I am curious about animals appearing in paintings with 18th century Americans. Are they real? Or are they just an emblems symbolizing some quality trait of their owners?

About those squirrels. Reliable art historians Roland E. Fleischer, Ellen Miles, Deborah Chotner, & Julie Aronson suggest that these squirrels are not real. They are either copied from emblem books such as Emblems for the Improvement and Entertainment of Youth published in London in 1755, or from English prints. The latter theory is supported by the fact that some of the squirrels depicted in the paintings are composites of squirrels found in both America and England.

The 1755 emblem book describes the meaning of the emblem, "A Squirrel taking the Meat out of a Chestnut. Not without Trouble. An Emblem that Nothing that's worth having can be obtained without Trouble and Difficulty" All right, we all know that patience is a virtue, but is there more than meets the eye here, or perhaps less?

In the 19th century New American Cyclopaedia the squirrel is examined in detail. "The cat squirrel, the fox squirrel of the middle states, is...found chiefly in the middle states, rarely in southern New England; it is rather a slow climber, and of inactive habits; it becomes very fat in autumn, when its flesh is excellent, bringing in the New York market 3 times the price of that of the common gray squirrel...They are easily domesticated, and gentle in confinement, and are often kept as pets in wheel cages... The red or Hudson's bay squirrel...is less gentle and less easily tamed than the gray squirrel."

Joseph Badger (1708-1765). Portrait of Two Children. 1760

John Singleton Copley (1738-1815). Boy (Henry Pelham) with a Squirrel. 1760 (I realize these two paintings depict young men, but it didn't seem fair to leave them out.)

John Singleton Copley (1738-1815). Daniel Crommelin Verplanck with Squirrel 1771
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Late 18th-Century Maryland Artist Lambert ? Bouche

.1799 Artist Lambert ? Bouche. Ann Ogle (Mrs. John Tayloe III) and daughters Rebecca and Henrietta. Maryland Historical Society.

When I worked at the Maryland Historical Society, one of the artists little was known about was a man named Bouche, who at the time had only one painting on display there. Since then, another painting by the same artist has been acquired. His name "Bouche" appears in an advertisement in the "Maryland Journal" for November 5, 1795, in which Bouche proposes a drawing school at his home on Harrison Street in Baltimore Town. A gentleman name Lambert Bouchu was taxed for property in Baltimore in 1800. His partner in the venture, M. de Valdenuit, had also worked with St. Memin, a portrait engraver who worked in Baltimore for a time. The art school that Bouche & de Valdenuit ran offered drawing & painting classes with flowers, landscape, & figures as subject. A Frenchwoman also offered embroidery instruction for students at the school. One of Bouche's portraits was of two sisters, Sally Scott & Anna Maria Murray, who were friends of John Hesselius' daughter. John Hesselius was an artist who also lived & worked in Baltimore.

1785 Artist Lambert ? Bouche. Mrs. Philip Barton Key. Maryland Historical Society..